Biography

“Virtuoso – one of Ireland’s most gifted young musicians.”
The Irish Independent

                                                       
Irish fiddle player, Zoë Conway, is a prodigious talent, equally at home in both traditional Irish and classical styles.  Her list of achievements belies her youthful age as Zoë has performed across the globe, both as a solo artist and also playing with international acts such as Riverdance, Damien Rice, Rodrigo y Gabriella, Nick Cave and Lou Reed among others.  She is a holder of the much coveted All-Ireland Senior Fiddle Champion title, winning the prestigious competition in 2001.  She was also recently voted Best Traditional Female of the Year in Irish Music Magazine.  Zoë is increasingly in demand as a tutor, regularly giving workshops and lectures on the merits of classical and traditional music on the violin.  She has performed at festivals such as Glastonbury, L’Orient, Tonder and Womad and has also performed in some of the most prestigious concert halls in the world including The National Concert Hall, Dublin; The Kremlin, Russia; The Kennedy Centre, Washington; The Broadway Gershwin Theatre, Carnegie Hall, New York.


“Zoë Conway - the budding genius.”
The Irish Times

Zoë began playing the violin at the age of eight, unusually learning traditional music and classical music at the same time.  She was far behind others of the same age, as most classical players start from the tender age of three!  However, she quickly caught up and by the age of thirteen had mastered such challenging pieces as the Mendelssohn Violin Concerto.  In Ireland, the classical and traditional music worlds rarely mix, but by her mid-teens, Zoë was competing and winning in both the classical competitions, and the traditional All Ireland competitions. 

 “Zoë has a unique ability to switch, chameleon-like from one style to the next.”
Sunday Independent


Zoë was still in her early teens when she realised she had a natural flair for composition.  She began composing in an Irish traditional style, and her body of work has grown to over seventy pieces.  More recently she has branched out into other styles of music, principally classical.  She currently has numerous commissions to fulfil including composing a major work for the Magogo Chamber Orchestra in Brussels, for which she will also feature as soloist.  This world premiere will take place in October of this year.  Many of her own compositions are featured on her two solo albums, Zoë Conway and The Horse’s Tail and as a result, she now has her own publishing company, Zoë Music Limited.  Zoë intends to publish a book of original compositions before the end of 2007.
“Zoë Conway’s star is in the ascendant”
The Irish Times
Zoë has played as guest soloist with many orchestras including The Ulster Orchestra, The RTE Concert Orchestra, The National Symphonia Orchestra of Ireland, Il Gardino Armonico of Italy, and The Symphony Orchestra of Galicia in Spain.   In May 2000 Zoë was guest soloist with the Irish Chamber Orchestra at the world premier of Inishlacken, composed by Bill Whelan, in the Kennedy Center, Washington. The concerto for two violins and chamber orchestra was written especially with Zoë’s unique mastery in mind, as it combines both the classical and traditional styles.

“The evening’s greatest discovery was Zoë Conway, an Irish fiddler with a burnished tone and a commanding technique. Her elegant, polished and straightforward reading captured ‘Inishlacken’ in all its charm.”
John Pitcher - The Washington Post


She went on to tour with the Irish Chamber Orchestra (ICO) in their Winter Tour 2000, and continues to perform regularly with them. She was delighted to perform with the ICO in April 2004 in Brussels at a special concert to mark Ireland’s presidency of the EU. The most prestigious concert with the ICO was in none other than Carnegie Hall in March 2005, where she performed the world premiere of Carna, a concerto for violin, singer and dancer which was also composed by Bill Whelan.  In December 2005, he completed the series entitled Postcards from Connemara with a final piece called Errisbeg for violin, harp and chamber orchestra.  The three works were performed together for the first time at the University of Limerick Concert Hall, with Zoë soloing in all three!  These three concertos have since been recorded and are due for release in 2008.

“We had come expectant, and we left bedazzled.”

Irish Music Magazine


Zoë was invited to perform in the New York Stock Exchange for the Ringing of the Bell marking the start of the trading year in both 2000 and again in 2001.  The ceremony was broadcast live on CNN all over the world.  At the age of fourteen, Zoë had the pleasure of entertaining then President of Ireland, Mary Robinson and has gone on to play for other dignitaries including An Taoiseach, Bertie Ahern, Queen Sonja of Norway, and H.E. Chinese Premier, Zhu Rongji.  In September 2002 she had the honour of accompanying President McAleese on her two week State visit to Malaysia and Thailand, and in April of this year performed for the Slovak president, Ivan Gašparovi?, at a state function hosted by President McAleese in Aras an Uachtaran. 
 
“While most people can only idly imagine what it would be like to be the best
in the country at what they do, Zoë can already taste it.”
Sunday Independent


Zoë has recorded two solo albums to date, both released to critical acclaim.  The first, simply titled Zoë Conway, was produced by Bill Whelan and received second place in the Irish Times top five releases of the year.  The second, The Horse’s Tail, was released in October 2006 and similarly appeared on the top five trad releases of the year.  For this album, she was commended by critics for capturing a sound which harks back to old LP recordings and reveals the raw energy of Irish traditional music.  Both albums showcase Zoë’s original compositions alongside older traditional tunes.  She has just released her first DVD, Zoë Conway Live, which is available exclusively on her website, www.zoeconway.com.

“Zoë attacked her instrument with lightning strikes.  It was, without a doubt, a masterclass in musicianship.  Every note, precise.
Every stroke, with absolute conviction.  Bravo.”
Irish Music Magazine